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The Source of Artistic Inspiration

"Euterpe  glanced  her fingers o'er her lute,create works of wonder and beauty, whether in
painting, poetry, literature, music or drama.
And  lightly waked it to a cheerful strain,Homer's famous opening lines of the Odyssey
still serve as a strong testimony to the idea
Then laid it by, and took the mellow flute,that the muse of inspiration should be
invoked first and foremost in the artist's
Whose softly flowing warble filled thecreative life: "Sing to me, o Muse, of the
plain:wise man who traveled far..."It sometimes
makes one wonder why certain periods of
It was a lay that roused the drooping soul,history are blessed by an exorbitant amount
of creative inspiration and flourish with an
And bade the tear of sorrow cease toabundance of refined and soul-stirring art,
flow"(from "An Ode to Music" by James G.whereas other periods seem almost deprived of
Percival)She is capricious, fickle, hard totrue artistic beauty and lack a higher
please. She lets you wait for her ininspiration and vision. Could this be
desparation for many long hours - and decidesexplained by the suggestion that the artists
not to come. Then the next day she suddenlyof these more prosperous times had more faith
comes, unexpected, unannounced. Queen ofin the guidance of the muse and consciously
arbitrary appearances, mistress of magicalor unconsciously invoked her presence? Or by
moments, empress of eloquence, embodied bythe assumption that the muse herself was more
the unseen, subtle thought-wave tickling theactive in these periods, scattering her seeds
brain, instilling in the subtle sense aof inspiration freely about, and more
heightened awareness of the divine reality.withdrawn in others, retired behind the walls
She is inspiration. She is the Muse.If weof her castle on the Olympus, unseen and
look her up in a dictionary or anunheard by mortal eyes and ears? Do we invent
encyclopaedia we come to learn that therethe gods or do the gods invent us? An eternal
were originally nine muses, representing thequestion to which no clear-cut answer has
nine goddesses of arts and science. Nonebeen provided. Perhaps it is a little of
other than Zeus was their father. He gracedboth.But enough 'musing' on her rich
them with melodious names, fitting to theirtradition and past, for the past - as they
high positions: Calliope, Clio, Erato,say - is dust. What you and I want to know is
Euterpe, Melpomene, Polyhymnia, Terpsichore,how we can successfully invoke the muse here
Thalia and Urania. A temple erected in theirand now; how we can tempt or persuade her to
honour was called a 'Mouseion', a name we nowdescend from her pink cloud and mingle with
give to the venue where the fruits of theirour crying efforts, so that we can create
inspiration can be found: the museum.It wassomething beautiful, something worthwhile,
not wise to contend with these high-learnedlasting and satisfying. For too often have we
gals, as the daughters of king Pierus foundendured her cold silence and the empty hours
out when they entered into a singingof her absence. Too often were we to rely on
competition with the muses and were badlyour own limited faculties, forced to be
defeated. The muses were not satisfied withsatisfied with mediocrity. Yet when she
victory alone, for legend has it they changedfinally shows herself, she leaves too early,
the nine princesses into magpies. The Sirensbefore her work is properly done and we are
- mythological creatures with the body of aleft with two sublime lines of poetry or a
bird and the head of a woman - whosefew inspired brush strokes while the rest of
enchanting and spellbinding songs issued fromthe painting and poem are doomed to the
their rock in the sea sent many a sailor towell-meaning sweat of our human brow, missing
an early sea-grave, also tried their luck andtheir promising claims to immortality.So how
pitted their musical skill against that ofcan we capture the muse permanently and bind
the muses. The Sirens suffered not onlyher to us irrevocably? When looking at and
defeat, but also the loss of their feathers,observing the lives of the great Masters of
as the muses plucked them out to make crownsart, there seems to be only one answer: one
out of.The lesson learned is that one shouldneeds to practise diligently, ceaselessly and
not compete with muses. But instead ofuntiringly. Practise makes perfect, as the
competing with them, one can invoke theirold adage goes.
presence and let their inspiration's flow



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